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Peatbog Faeries - Scottish Music from the Virtual Hebrides

Rock & PopModern FolkTrad. FolkPipes / FiddleSolo & Misc

Peatbog Faeries:

Based on the Isle of Skye, the Peatbog Faeries released their debut album Mellowosity in 1996 to critical acclaim. Since then they have toured extensively and are in great demand at festivals around the world. This is high octane Celtic dance music which incorporates many musical influences, from traditional jigs and reels through to jazz, hip-hop and reggae. The Peatbogs released their second album "Faerie Stories" on May 1st 2001 on the Greentrax label.

The Peatbog Faeries are;
Peter Morrison - Pipes & whistles
Roddy Neilson - Fiddle
Tom Salter - Guitar
Leighton Jones - Keyboards
Innes Hutton - Bass & percussion
Iain Copeland - Drums

Peatbog Faeries: Releases - sorted by Original Release Date:

Peatbog Faeries - Faerie Stories

Peatbog Faeries - Faerie StoriesOriginal Release Date: 2001. "All in all, Faerie Stories is an utterly excellent album." "The most pumping, uplifting and exciting Scottish fusion you're ever likely to come across. Pipes, whistles, fiddles and percussion - even throat singing!"

 
Peatbog Faeries - Mellowosity

Peatbog Faeries - MellowosityThe first recording from the Faeries displaying their blend of crisply played tunes on pipes, fiddle and whistle combined with a world class rhythm section. All your traditional instruments here with a sort of Jazz twist!

Other Reviews:

Nothing in the recognisable front line of bagpipes, fiddle, synthesiser, bass & rhythm guitar with a straight drum kit at the back, prepares you for the high octane music the Peatbog Faeries create. Powerful melodies are dextrously pumped out with a smart degree of techno attitude, while cross-rhythms ricochet over a heavy bass that hits you forcefully like a massive heart beat. Reggae, dub & soca rhythms all play their part with a lot of gorgeously undulating modal melodies from Macedonia and further, so the packed audience who crowd around the stage can almost salsa as well as perform the high-jumping ceilidh moves such music encourages. With no time wasted with chat other than the odd tune title, the band induce an uninhibited joy. One sylph-like woman, hair reaching well below her bottom, sinuously undulated all night, removing items of clothing as the place & pace gets hotter until she is in quasi-belly dance garb. Sexy is not a word normally associated with Celtic music but this certainly is. (Jan Fairley - The Scotsman 25/8/99)

"...The Peatbog Faeries' increasingly adventurous melting pot of fragmented fiddle & pipe tunes...deep dub basslines and all-round spacy electronica comprehensively rocked the house" The Scotsman 1 July 1999 (Concert for Kosovo - Edinburgh Playhouse)

"These boys can play a mean tune, twisting ambient synth round insistent bass & the pipes. Imagine The Orb meeting a Ceilidh band in the mind of Irvine Welsh. This is it. Billy Nasty might have mixed pipes & dance on the decks but the Peatbog Faeries can play it live and it blew the audience away." Edinburgh Evening News 1 July 1999 (Concert for Kosovo - Edinburgh Playhouse)

"The Peatbog Faeries...rock"! Norma Waterson Sunday Times June 1999

"Loud and proud, at once timelessly earthy and boldly futuristic, this is a band unafraid to aim for the majestic, yet gaining all the time in finesse." The Scotsman 15 June 1998

Rock & PopModern FolkTrad. FolkPipes / FiddleSolo & Misc